Collage on hand printed silver gelatin print 37.3 x 56.1 cm (14.7 x 22 in.)
€8,000Goshka Macuga’s practice is based on historical and archival research, which informs her installations, sculptures, tapestries, and collages. As an artist she simultaneously assumes the role of a curator, historian, and designer. Macuga questions historiography, political structures, and the pressing issues of our time.
The artist explores the potential for objects to signify meanings alien to their actual form and open possibilities for multiple layers of references. Macuga touches on broader cultural and political issues where the symbolism of nature is rooted in political activism and resilience .
In Shadowland, 2009, a black and white photograph taken by the artist in 2008 captures a burned forest in the USA. This photograph has been juxtaposed with an image of a riot policeman at the 1970s anti-Vietnam War protests, which comes from the artist’s archival photography collection. Shadowland comments on ongoing ideological and social struggles wherein the evaluation of historical events is continually in flux.
Macuga was born in 1967 in Warsaw, Poland and lives and works in London. In 2019, Macuga was commissioned to make a large-scale tapestry for the Museum of Modern Art, New York. The work re-stages a well-known photograph of Andre Malraux taken in 1954 by Maurice Jarnoux for the magazine Paris Match, featuring Macuga surrounded by images that are intrinsically linked to MoMA’s history and collection. She was included in Documenta 2012 and nominated for the Turner Prize in 2008.
Viva! Poland has been working since 2001 to protect animals in danger. Since the Russian invasion of Ukraine, the organization has been on the Polish-Ukrainian border providing assistance to pets. Viva! Poland has a sanctuary near Warsaw where they take care of hundreds of unwanted animals and work to find them permanent homes in Poland. They also run campaigns to educate on and advocate for animal rights and protection.